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So I’ve been working on marketing and communications for  a play called Sexy béton. It’s about the collapse of the de la Concorde overpass in Laval in 2006. But it’s about a lot more than the tragedy of the five people killed and six injured that day. While honouring them, it asks that everyone take responsibility for the infrastructure that we use every day. Thousands drive over a concrete colossus such as Montreal’s Turcot Exchange with no idea of how fragile it is. The damn thing might well fall down within five years (one of the reaons it’s slated for demolition).

Anyway, the show is well worth seeing (I declare my bias openly!).  So too, I’d like to hope, is this very short interview I did with Annabel Soutar, the playwright. Thanks to Laura Kneale who made this video with me.

Over at the Guardian, Deborah Orr is fast becoming one of my new favourite columnists. In this article she discusses the contradictions in Britain’s class divisions. I don’t agree with her entirely. Saying that ownership of a second home makes someone a member of the rich elite is an over-simplification, in my view. The rich elite own the means of production. Or, if they don’t directly own the means of production, they are on first name basis with those that do. When it comes to social class, that is the  class distinction that matters the most.

We’re at a fascinating juncture in history. On one hand, we’ve witnessed one of the greatest failures of our current system of capitalism. On the other hand, it’s full speed ahead with the same system! This article out of the UK is interesting, given that it suggests that the great compromise between capital and civil society promised by centre-left parties such as UK’s Labour (and of course our own Liberals) is perhaps impossible. You can’t have any meaningful form of social justice while bankers and oil tycoons etc. continue to plunder the world’s wealth and resources.

Over the weekend I discovered a great British TV comedy called Snuff Box. It co-stars Brit comedian Matt Berry and his American co-conspirator, Rich Fulcher. The peculiar premise of the show is that they are executioners, but spend most of their time sipping whiskeys at a gentleman’s club. There are also numerous other oddball characters that come alive through the various sketches. What unites the whole show is a dedication to laughs at any price. Very crude, very black, very juvenile at times, but zanily brilliant. I think it’s better than The Mighty Boosh.

You can see the one and only season of Snuff Box in its entirety at Joost TV.

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